6 - Samples + Libraries [drums, IR, sfx…]
Everything here is under a CC0 (public domain) license.
I love Love LOVE not being paid for hard work; but if you want, consider donating on BandCamp or BuyMeACoffee 💪
Download folder: https://tinyurl.com/666TonsOfDownloads
More info on the libraries:
I made a magazine style cover for each with easter eggs, I just think it’s fun. Enjoy \m/
IRs - Drop #2
Three files: Narrow, Mid and Wide reverb IRs.
I got to visit a castle built in the year 1100 and we came across a very echo-y chamber. I only had my Rode MicMe with me, so I made many mono recordings of me exciting the room in various distances to the microphone, and I then took creative liberty in combining them into stereo IRs.
Here are the three different IRs. No processing whatsoever on them, just arrangement into stereo from the mono claps.
The Wet slider was automated from -inf to -22dBFS.
The differences are more to do with width than length of reverb because the noise floor is so high in this little recording set-up.
IRs - Drop #1
First IR downloads are these three:
6160III Mesa Lead (Petrucci-inspired, mixed IR, originally made for guitar leads), sample:
Two Reverb IRs of an Ampitheater (see 2024 May 05 in the Field Recording blog post for samples!!)
Weird SFX Sample Pack
280 samples of … this is just a weird one. There's cutlery, bells, gongs, and all kinds of weird sounds that you can use for SFX, as IRs for adding intersting timbres to stuff, …
Gear used: DPA 4006 stereo pair, Grace 201, Antelope Orion 32
Tama + Ludwig Drum Library
SAMPLES ARE ALL UNPROCESSED
Includes Slate Trigger patches
Gear: Shure SM57, Neumann u87, DPA 4006, Avantone CK40, Grace 201, Focusrite ISA 828 preamps, Antelope Orion 32 converter
Ludwig 402 1979 Snare
- four intensities
- Close Top - SM 57
- Close Bottom - u87
- OH (Overhead) - DPA 4006’s
- Amb (Ambient) - Avantone CK40 stereo mic
Tama SLP Snare
as the Ludwig snare
Tama Starclassic Bubinga Kit (22x18 kick, 12x9 and 16x14 Toms)
o HiHats – seven samples - Amb & OH microphones
o Kick - four intensities (Positions: close, overhead, ambient)
o Tom1 rack - three intensities per microphone position (same as above)
o Tom2 floor - three intensities per microphone position (same as above)
